Lorayne Alman
Alman
Gunter [Rawl Poet 108]
Couples in procession
Beginning (to newcomers)
| I | A1 | 1-8 | 4 Doubles with hop, starting on left | lorayne Allemayne. A duble forward hoppe iiij tymes// | ||||||
| A2 | 1-8 | |||||||||
| B1 | 1-4 | Double forward on left | a duble Forwarde | |||||||
| 5-8 | Double back on right | reprynce backe | ||||||||
| 9-12 | Double forward on left | a duble forward | ||||||||
| 13-16 | Turn away from partner, doing a Double on right (turn a full circle then retake hands) | cast off a duble rownd | ||||||||
| B2 | 1-16 | Repeat B1 | twyse// | |||||||
| II | Repeat I | a duble forward hoppe viij times// a duble forwarde reprynce backe a duble forward cast of a duble rownd twyse | ||||||||
Notes
Sources. This dance only appears in RP, the earliest manuscript. Music entitled “Almande Lorayne” appears in Pierre Phalese, Liber Primus Leviorum Carminum, from 1571.
Reconstruction. Section A: Cunningham’s transcription of the repeat of this section (after the turns) indicates 4 hopped doubles; however, Wilson, on re-examining the original, has transcribed it as 8 (viij) doubles. Pugliese and Casazza’s musical arrangement and tape are based on Cunningham’s work, and thus only include enough music for the 4 doubles, so we have also reconstructed it in this way. Parallels for this idea of a repeat that differs from the first time through the dance can be found in Turkelone and Tinternell.
Recordings. Dances from the Inns of Court: 2 and 4 repeats. Musick for Dauncinge: 4 repeats, appropriately lively tempo, fine sound.