Shepheards Holyday
(or, Labour in Vain)
English Country Dance
Playford, EDM 1st Ed
Longways for three couples
Intermediate

 
IA11-8Double forward and backLead up all a D. back,
9-12Double to change places with partner (pass to left)crosse over •
A21-8Face down; Double forwad and backLead down, back again,
9-12Double to change places with partner (pass to right, returning to place)crosse over •• §
B11-41st couple: Slip down between 2nd coupleThe first man slip before the 2. man, while his first Wo. before the 2. Wo.
5-83rd couple: Slip up, each behind 2nd of same gender (end in line across set, 1st couple in middle)then the last man slip behind the 2. man, while his Wo. behinde the 2 Wo.
9-16Lines of gender: Cast up-out-down, then lead up to place, doing 2 Doubles (1st couple at middle splits to lead the cast)then all six turne round about to the left hand into their places,
B21-43rd couple: Slip up, between 2nd couplethen the last Cu. doe as the first,
5-81st couple: Slip down, each behind 2nd of same genderand first as the last •• ¶
9-16Lines of gender: Cast down-out-up, then lead down to place, doing 2 Doubles (3rd couple at middle splits to lead the cast)
 
IIA11-8Side to leftSides, back again,
9-12Double to change places with partner (pass to left)crosse over •
A21-8Side to right That againe •• §
9-12Double to change places with partner (pass to right, returning to place)
B11-4Double back (away from partner)Three men and 3. We. back,
5-8Take hands in line of gender; Double forwardjoyning hands meet
9-16Take hands in circle of gender; 2 Doubles circling left to place3. men hands and goe round, We. doing the like,
B21-4Double back (away from partner)men and We. back as before
5-8Take hands in line of gender; Double forwardand meet,
9-16Take hands in circle of gender facing out; 2 Doubles circling left to placehands backward and goe round as before. ¶
 
IIIA11-8Arm to left Armes as you sided •• §
9-12Double to change places with partner (pass to left)
A21-8Arm to right
9-12Double to change places with partner (pass to right, returning to place)
B11-41st couple: Double to cross into 2nd couple's places while 2nd couple: Double up The first man crosse into the 2. Wo. place, and his Wo. into the 2. mans place, &c. ¶
5-81st couple: Double to cross into 3rd couple's places while 3rd couple: Double up
9-162nd couple: Repeat B1 1-8
B21-83rd couple: Repeat B1 1-8
9-16All: Set and turn single
 

Reconstruction by Peter Durham informed by that of Sara Bonneville, based in turn on that of John White (KWDS 2003). Original text transcribed from online facsimile.

Notes
Reconstruction.  At B1 9-16, the position of the dancers is such that having both lines cast left requires very different paths to get everyone back to place. I assume Playford's directions are male-centric and have the women mirror what the men do (so they turn to the right).
Reconstruction.  III B1-B2 provides a puzzle for the reconstructor: there are short instructions for 1st couple to cross into 2nd couple's place, followed by “&c”. Some reconstructors have 1st man and 1st woman cross in the same 4 counts; others have them take turns. The goal is presumably to use all the music and get everyone home at the end. I have chosen to follow the lead of Bonneville and White here. An appealing alternate might be to have the first couple take turns, crossing to the bottom of the set and then back up, displacing the other dancers as they go.