Rostiboli Gioioso
(Joyous Rostiboli)
Ballo
Guglielmo, De Pratica [Pg]
Couples
Intermediate

 
IA11-12Riprese left and rightBallo called Rostiboli Gioioso for two ¶ It begins with two riprese- one on the left and the other on the right. Ballo chiamato Rostibuli Gioioso in doi ¶ Imprima doi Rimprese l'una suL sinestro & L'altra suL drecto
13-30Man: 2 Sempii and 2 Doppii starting on left, ending with Turn to face partnerThe man departs from the woman with two sempi and two doppi beginning on the left, & poi l'homo se parta da La donna con doi sempii & doi doppii cominciando Col pe sinestro
31-42Riprese left and right (directed at partner, but at some distance)and performs two riprese- one on the left and the other on the right- which, at the same time, are performed by the woman. & poi faccia doe Rimprese Una suL sinestro & l'altra sul dricto & in Quel tempo la donna anchora faccia Le Rimprese
43-60Man: 2 Sempii and 2 Doppii starting on left (returning to partner), ending with Turn to face up with partnerThen the man performs two sempi and two doppi, insieme con l'homo & poi l'homo Faccia ancora doi sempii & doi doppi
A21-60Repeat A1 but Woman advances and returns instead of Manand two riprese- one to the left and the other on the right- and the man stops. The woman performs all that the man did, & poi Doe Remprese l'una suL sinestro & l'altra SuL dricto & l'omo se fermi & poi La donna faccia tucto quello che ha facto l'omo
B11-12Riprese left and rightthen they join hands and perform two riprese- one on the left and the other on the right, & poy Se piglieno per mano & facciano doe Rimprese L'una sul sinestro & l'altra suL dricto
13-18Sempii left, righttwo sempi, & Poi faciano doi sempii
19-36Doppii left, right, leftand three doppi beginning on the left, & tre doppii cominciando CoL sinestro
37-42Sempii right, left turning in place (a "Volta de Gioioso")and a voltatonda with two sempi beginning on the right & poi dagano una voltatonda Con doi sempii cominciando col drecto
43-48Ripresa rightand a ripresa on the right. & Una Rimpresa dul drecto
B21-48Repeat B1They perform all of this another time, & tucto questo facciano Un' altra volta
C11-48 16 Saltarelli then sixteen tempi of saltarello beginning on the left, then stop.  & poi facciano sedice tempi Di saltarello cominciando col pie sinestro E poi se fermino
C21-48
D11-2Man: MovimentoThe man performs a scosso & L'omo faccia un scosso
3-4Woman: Movimentoand the woman responds to him, E la donna gli & a risponda
5-8Man: Doppio left (advancing away from woman)and the man goes forward with a doppio, departing with the left. & l'omo vada innanci Con un doppio partendose col sinestro
9-10Woman: MovimentoThe woman performs a scosso & la donna Faccia un schosso
11-12Man: Movimentoand the man responds to her, & l'homo gli e a risponda
13-16Woman: Doppio left (catching up to man)and the woman goes next to the man, departing with the left, performing a doppio & vada Dala donna Appresso l'omo partendose col pe Sinestro & faccia un passo doppio
D21-16Repeat D1and the scossi hte same, with a doppio as is said. & li schossi Altritanto con un doppio chome & dicto
 
IIRepeat I but Woman does everything first instead of Man
 

Reconstruction by Peter Durham, informed by that of Vivian Stephens and Monica Cellio. Text from Smith transcription of Pg. Translation by Peter Durham.

Notes
Reconstruction.  In the source transcribed (Pg), there is no indication of the turn of the man to face his partner at I A1 30 or that he returns to her before they both do ripresas at I A2 1. Two of the seven sources for this dance (NY and S) call out the initial turn, but five (FN, NY, S, V, FL) call for the return. I have chosen to reconstruct the dance with the return, rather than have the man advance and have the woman catch up during I A2, to follow the majority of sources and to avoid having the dancers do ripresas with the man facing away from his partner.