Boateman
English Country Dance
Playford, EDM 1st Ed
Longways for three couples
Intermediate

 
IA11-8Double forward and backLead up a D. forwards and back,
9-16Face partner; Set and Turn Single leftset and turne single •
A21-8Face up; Double forward and back That againe •• §
9-16Face partner; Set and Turn Single right
B11-82nd Man: goes to left between 1st Couple to start Single hey with them while
2nd Woman: goes to left to do same with 3rd Couple
First Cu. and 2. man the S. Hey, while the other three doe the like, come to your places,
9-16Turn partner to left by right handand turne your owne •
B21-82nd Man: goes to right between 3rd Couple to start Single hey with them while
2nd Woman: goes to right to do same with 1st Couple
 All that againe, the 2. Cu changing their ends. •• §
9-16Turn partner to right by left hand
 
IIA11-8Side to left with partnerSides all,
9-16Set and Turn Single leftset and turne S. •
A21-8Side to right with partner That againe •• §
9-16Set and Turn Single right
B11-82nd Man and 1st Couple: Hands and Circle left while
2nd Woman and 3rd Couple: Hands and Circle left returning to place at end
The 2. man and first Cu. hands and goe half round, while the other doe the like, fall all back
9-16Turn partner to leftthen turne your owne •
B21-82nd Man and 3rd Couple: Hands and Circle right while
2nd Woman and 1std Couple: Hands and Circle right returning to place at end
 That againe, the 2. Cu changing their ends •• §
9-16Turn partner to right
 
IIIA11-8Arm to left with partnerArmes all,
9-16Set and Turn Single leftset and turne S. •
A21-8Arm to right with partner That againe •• §
9-16Set and Turn Single right
B11-81st Man, 2nd Woman, 3rd Man: Take hands and Circle left to placeFirst and last man and 2. Wo. hands and go round,
9-162nd Couple only: Turn partner to leftthe 2. man turne his owne Wo. •
B21-81st Woman, 2nd Man, 3rd Woman: Take hands and Circle right to placeFirst and last We. and 2. man hands and goe round,
9-162nd Couple only: Turn partner to rightthe 2. man turne his Wo. •• §
 

Notes
Reconstruction.  The B section of part II poses an interesting problem in that the instruction to circle halfway around places the dancers in a position where it's difficult for them to turn their own. Some reconstructions solve this by having the circles split into lines across the set (2nd Man or Woman between the end couple) and fall back from this position, though this means that the 2nd couple then does their turn along the set whereas the others do their turn across the set. Though this is not dissimilar from the beginning of part III of Old Mole, it is quite different from part I of this dance. I chose to solve this by doing a full round, and interpreting the fall back to mean falling back from the circle into original positions in the set at the end of the circle in no particularly allotted time. This allows all dancers to turn their partners across the set.